Woven Reflections

Cameron Taylor-Brown
August 29 – September 20, 2020
View in person by appointment only. Inquire about purchasing artwork by emailing info@thestudio203.org.

This exhibition explores the interplay of real and reflected, positive and negative, warp and weft. Photographs by the artist of  landscapes and cityscapes are printed onto cloth, deconstructed, and woven into textiles which are then layered and stitched into abstracted images that echo their origins. These mysterious images invite the viewer to ask what might be there… and then again, what might not.

press release
archived artist talk

*Please set video quality to 1080p for optimal viewing.

 
Reflections/Giverny #1, 2018, linen yarns, silk and cotton fabric, wood and paint, weaving, photographic transfer, embroidery, H 32” W 22.5”.Photo by Cecily Brown. View details here.

Reflections/Giverny #1, 2018, linen yarns, silk and cotton fabric, wood and paint, weaving, photographic transfer, embroidery, H 32” W 22.5”.

Photo by Cecily Brown. View details here.

 
Reflections/Giverny #2, 2018, linen yarns, silk and cotton fabric, wood and paint, weaving, photographic transfer, quilting, embroidery, H 32” W 22.5”.Photo by Cecily Brown. View details here.

Reflections/Giverny #2, 2018, linen yarns, silk and cotton fabric, wood and paint, weaving, photographic transfer, quilting, embroidery, H 32” W 22.5”.

Photo by Cecily Brown. View details here.

 
Reflections/Manhattan Bridge, 2020, linen, paper and metallic yarns, silk and cotton fabric, wood and paint, weaving, photographic transfer, embroidery, H 33” W 25”.Photo by Cecily Brown. View details here.

Reflections/Manhattan Bridge, 2020, linen, paper and metallic yarns, silk and cotton fabric, wood and paint, weaving, photographic transfer, embroidery, H 33” W 25”.

Photo by Cecily Brown. View details here.

 
Reflections/Twilight #3, Brothers Islands, Alaska, 2020, linen yarns, silk and cotton fabric, wood and paint, weaving, photographic transfer, embroidery, H 35” W 25”.Photo by Cecily Brown. View details here.

Reflections/Twilight #3, Brothers Islands, Alaska, 2020, linen yarns, silk and cotton fabric, wood and paint, weaving, photographic transfer, embroidery, H 35” W 25”.

Photo by Cecily Brown. View details here.

 
Reflections/Twilight #2, Brothers Islands, Alaska, 2020, linen yarns, silk and cotton fabric, wood and paint, weaving, photographic transfer, embroidery, H 35” W 25”.Photo by Cecily Brown. View details here.

Reflections/Twilight #2, Brothers Islands, Alaska, 2020, linen yarns, silk and cotton fabric, wood and paint, weaving, photographic transfer, embroidery, H 35” W 25”.

Photo by Cecily Brown. View details here.

 

Exhibition views of Woven Reflections

Photos by Cecily Brown

Panoramic view of Woven Reflections by Cameron Taylor-Brown. Photo by Cecily Brown.

Panoramic view of Woven Reflections by Cameron Taylor-Brown. Photo by Cecily Brown.

About Cameron Taylor-Brown

Cameron Taylor-Brown was introduced to textiles by artist Ed Rossbach at the University of California, Berkeley and studied textile design at the Philadelphia College of Textiles and Science. She worked in New York City as a stylist of home furnishing fabrics, taught design and weaving at the Philadelphia College of Textiles and Science and worked as an exhibition curator at the Paley Design Center. Since 1985, Taylor-Brown has lived in Los Angeles where she maintains a studio and is active in arts and education. She was a founding board member of the Textile Group of Los Angeles, is a past President of California Fibers and Designing Weavers, is a current board member of the Fowler Textile Council and is on the advisory board of Textile Arts Los Angeles. In 2010 she founded ARTSgarage, a textile resource center in Los Angeles where she teaches Art of the Loom: Foundation Workshops in Weaving, and hosts createIt@ARTSgarage for educators. In 2019, she curated the critically acclaimed exhibit Material Meaning: A Living Legacy of Anni Albers at the Craft in America Center in Los Angeles. Her work is widely exhibited and is featured in publications including American Craft Magazine, Fiber Art Now, Handwoven and Shuttle, Spindle and Dyepot. She lectures and teaches workshops at schools, guilds, museums and conferences throughout the United States and Canada.

 “My artwork reflects a passion to shape order out of chaos—to start with bits of thread and create something complex and satisfying where nothing existed before.  As I create, I embrace and celebrate the ancient heritage and language of cloth and the material culture that textiles inherently express. The rhythms and interplay of pattern, color and texture fascinate me, and the tactile quality of the actual fiber is extremely satisfying. I thrive on the challenges and opportunities presented to me as I move forward to explore new and interesting possibilities.”

camerontaylor-brown.com
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